Thanks for Visiting. We Have Some Amazing Channel Wireless Product Information For You, So Please Have a Look Around!
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More Great Information on Channel Wireless:
UHF Wireless Mics by Bruce Hathaway
Composed of two parts, a wireless system is basically comprised of a transmitter and a receiver. Depending on your needs and uses, we'll also define some of the options in the area of these systems.
1. Transmitters:
The most often used is the transmitter that's inside of the hand-held mic.
The other type of transmitter involves a body-pack where you can plug different devices into it:
Fixed to a piece of clothing, or on a lanyard the lapel mic is hardly noticable.
Then there's the headset mic which is mostly for live performance where the artist is not bound by the parameters of the stage.
The third is for an instrument such as guitar or anything else that uses a 1/4" jack.
2. Receivers:
A receiver is a lot like the radio at home or in your car. It captures a signal and sends to it, which allows you to listen to what that signal is. in essence the receiver takes the radio waves from the transmitter source receives it and demodulates it (turns it into electronic form) so we can plug whatever device we want into it.
It will probably a an amplifier of some sort or a mixer. For video the body pack system can work very well with the transmitter attached to the camera.
3. Receiver Antennas:
The true diversity system or UHF (ultra high frequency) will have 2 antennas which connect to two electronic circuits with a switcher in between. Because the antennas are not used simultaneously, the automatic changing of channels means that the receiver chooses the one that gets the best signal.
What you'll need to do is place the two antennas at a 90 degree angle to one another (45 degrees from the ground). this positioning will give you the best performance out of the system that you can get.
It's desirable that nothing blocks the waves between the receiver antennas and transmitter. Most wireless systems can receive and transmit signals through dense objects but will work better in open spaces. In order for the receiver to get good signal from the transmitter it might be a matter of experimenting with the placement, especially if you're using a body-pak. If you want to you can buy another receiver antenna but that's altogether another concern beyond the confines of this article.
4. Scanning Frequencies:
UHF systems generally can operate at different radio frequencies above normal transmissions such as TV or cell-phones. Switch off the transmitter before you set up the scanner on the receiver. Use the menu on the receiver to select the scan option. It may take a bit of time for the receiver to find the open frequencies but once it does it will hold them in banks.
Next choose the frequency channel that you want. (in the receiver display.) Then turn the transmitter on and set it to the same cannel as the receiver.
5. Varying the Attenuation on the Transmitter:
This is just an alternate name for volume. On the transmitter there will be options for setting the sensitivity to get the optimal signal level. If it's too high it may distort; too low and it will be difficult to hear.
6. Setting the Receiver Output:
Step 6 is the last concern in setting up your wireless system. A lot similar to setting the sensitivity for the transmitter, this step is about the end signal that's sent to the amping system. To get the output at the right level from the receiver, you can talk to the audio engineer. That's pretty much it on this topic. Happy music making!
Bruce has achieved a lifetime of producing and engineering at his recording studio, Excello, in Williamsburg, Brooklyn. Through his experience on stage, he is also a wireless microphone expert with extensive knowledge of vocal, instrument, USB microphones and more.
Article Source: http://www.earticlesonline.com/Article/UHF-Wireless-Mics/1128491