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 Canon 430EX II EOS Speedlite Flash Exclusive Pro Kit $279.00 Time Remaining: 15d 23h 28m Buy It Now for only: $279.00 Buy It Now | Add to watch list |
 Nikon SB 50DX Speedlight Shoe Mount Flash Box Instructions MINT MINT MINT $49.99 Time Remaining: 1h 17m Bid now | Add to watch list |
 Pentax AF 360 FGZ Autofocus P TTL Shoe Mount Flash 30333 NEW $238.97 Time Remaining: 54m Bid now | Add to watch list |
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 Nikon SB 26 SB 26 Speedlight FLASH SS 24 for F100 FM3A F5 N90s N80 N75 FA FM2n $99.00 (1 Bid) Time Remaining: 1d 22h 31m Bid now | Add to watch list |
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 Elinchrom D Lite2 IT 200Ws Monolight $76.00 (4 Bids) Time Remaining: 1d 23h 24m Bid now | Add to watch list |
 YONGNUO Speedlite YN460 4 Canon EOS 10D 20D 30D 40D $38.77 Time Remaining: 27d 11h 54m Buy It Now for only: $38.77 Buy It Now | Add to watch list |
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 Pentax AF 360FGZ Shoe Mount Flash $71.00 (8 Bids) Time Remaining: 15h 23m Bid now | Add to watch list |
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 TTL Flash Speedlite YN 468II for Nikon D7000 D5100 D5000 D3000 D90 D80 D60 D40 $4.25 (4 Bids) Time Remaining: 3d 23h 24m Bid now | Add to watch list |
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 DSLRKIT PT 16 16 Channels Wireless Radio Flash Trigger for CANON NIKON PENTAX $13.45 Time Remaining: 18d 24m Buy It Now for only: $13.45 Buy It Now | Add to watch list |
 Canon Speedlite 580EX II Shoe Mount Flash $305.00 (19 Bids) Time Remaining: 2d 22h 17m Bid now | Add to watch list |
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 Canon 580EX 580 EX II E TTL ETTL II Speedlite Flash NEW $494.97 Time Remaining: 1d 18h 53m Bid now | Add to watch list |
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 Sigma EF 500 DG Super Shoe Mount Flash for Canon $125.00 Time Remaining: 4d 14h 6m Bid now | Add to watch list |
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 Canon Speedlite 320EX E TTL II Speedlite with LCD Light NEW $239.97 Time Remaining: 1d 20h 19m Bid now | Add to watch list |
 Canon Speedlite 430EX II Flash NEWIN STOCK $279.95 Time Remaining: 27d 19h 26m Buy It Now for only: $279.95 Buy It Now | Add to watch list |
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 SLAVE FLASH + MICROFIBER +LCD PROTECTOR FOR OLYMPUS E 500 $47.71 Time Remaining: 23h 23m Bid now | Add to watch list |
 TTL Speedlite Flash Unit YN 467 f Canon E TTL DSLR SLR $81.00 Time Remaining: 7d 6h 21m Buy It Now for only: $81.00 Buy It Now | Add to watch list |
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 Slave Flash for NIKON D3000 D5000 D80 D90 + FREE GIFT $48.99 Time Remaining: 26d 21h 26m Buy It Now for only: $48.99 Buy It Now | Add to watch list |
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 Yongnuo YN 565EX I TTL Flash Speedlite for Nikon D3000 D3100 D5100 D5000 $153.95 Time Remaining: 19d 7h 13m Buy It Now for only: $153.95 Buy It Now | Add to watch list |
 Sigma EM 140 EM140 DG Macro Ringlight Flash for Canon E TTL II NEW $379.00 Time Remaining: 2d 1h 49m Bid now | Add to watch list |
 YONGNUO Speedlite YN460 for Canon EOS Rebel XT XTi XTs $27.88 Time Remaining: 27d 12h 40m Buy It Now for only: $27.88 Buy It Now | Add to watch list |
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More Great Information on Digital Camera Slave:
Add External Flash to Point and Shoots by akpandey
Just because your digital point and shoot has a built-in flash, that doesn't mean you're stuck with using it exclusively.
"When two people in an organization always agree, one of them is unnecessary." You might expect to find that quote cross-stitched on a sign in the Complaint Department. But it hung prominently behind my father's desk as the editor and publisher of a weekly trade publication.
Dad's lesson is universally applicable, I've found over the years; a different perspective often provides an improvement? in life and in flash photography. I used this lesson to some effect on Mom, with more success on my siblings, and with mixed results on various employers. One place it has never failed me, though, is flash photography.
The big problem with most flash photography is that it uses the flash on the camera. That flash takes the same angle on the subject as the camera's lens, so it throws harsh shadows, creates red eye, and generally makes The Night of the Living Dead look like the end result from Extreme Makeover. As if that isn't enough, it also eats camera battery power alive.
Flash really needs to take a different point of view than your lens. An external flash can make the single biggest improvement to the quality of your flash images. And you don't need a hot shoe or sync socket to use an external flash. Nor do you need a personal trainer to heft the gear around. All you need is a flash on your camera, although hot shoes and sync sockets are also nice to have.
In fact, there are many ways to put an external flash system together. Let's look at two variations: a simple wireless system you can use with any digicam and a professional bounce flash system.
A Simple Wireless Setup
If your digicam has only the flash it was born with, your external flash should be a slave flash: a flash that fires when it gets its cue (through infrared energy) from your digicam's flash.
The digicam flash becomes a trigger now. It goes off and tells the external flash that it is now time to fire. To ensure that this works properly, use Fill Flash or Manual Flash mode and mask your digicam flash with a piece of exposed slide film so it won't illuminate the scene.
The slide film acts as an infrared filter, triggering the external slave flash. The good news with this rig is that you now have an independent flash, triggered by the camera, that you can position anywhere you want. The bad news is that you've disabled your camera's dedicated-flash exposure system. The way dedicated flash works is that the camera initiates the sequence by firing the flash. As the light is reflected off the subject back to the camera, a sensor measures the reflected light. When the amount of light matches the camera's auto-exposure setting, the camera stops the flash.
I know this sounds truly amazing, but it works. And it all happens in a fraction of a second. The challenge is that when you add an external unit without maintaining this communication system between camera and flash, the camera can no longer control the duration of the external flash. It is either on or off. So, you'll need to experiment a bit with this setup to get good exposures. I recommend you actually take notes, marking down the distance of the flash from your subject and all of your camera settings, so you can repeat your successes.
If your camera has a Manual Exposure mode, set the shutter speed to 1/30 of a second and set the f-stop to match the flash's power (according to its documentation). You can fiddle with the shutter speed to capture as much of the background light as you want. A faster shutter speed (say, 1/60 or 1/125 of a second) records less background in low-light conditions. Then, aim the slave at your subject and fire away.
You can use an old flash from your 35mm gear as a slave if you add an IR trigger, such as the $25 Wein Peanut slave .Or, you can buy a slave with a built-in IR trigger, such as the Zenon MagneFlash flat panel.
Source: O’Reilley | Portfolio Website | Online Portfolio for Photography
Article Source: http://www.earticlesonline.com/Article/Add-External-Flash-to-Point-and-Shoots/1054573